Four Emotional Connection Workshops
I’ll be taking the show on line, but, well, that’s where all the cool kids are. Four separate workshops, four great lessons. All “ala carte,” so fill up your plate with these awesome classes.
This four-part workshop series will teach you to:
• Recognize emotional connections.
• Establish strong points of view.
• Create scenes you’ve never seen or played before.
• See the world in a different way.
Each workshop is only $55.
All times listed are Pacific Time.
Pinpoint Point of View
5/30/2020 11am-2pm
The focus of Pinpoint Point of View is to learn how to use shape - also known as “body language” - to determine your point of view, and to hold onto it. It is the single most important element of a strong and focused scene.
Play the Moment
5/30/2020 3-6pm
A moment means a pause, a reflection between lines of dialogue. It gives you time to respond truthfully to what’s happening in the scene. It can also be an indication of a new beat. Recognize the power of playing a moment and allow yourself to feel the impact of silence.
Focus on the Shiny Object
6/2/2020 5:30-8:30pm
Every line of dialogue has a hidden gem in it that leads to a great discovery. Notice the shiny objects hidden in plain sight, words that pique your interest and then use them to lead you to exciting discoveries.
Know Your Status
6/3/2020 5:30-8:30pm
Your status in a scene helps define your point of view. Changes in status keep your scenes alive. Status is the basis of character work. It’s part of the engine that drives your point of view and pushes against your partner’s point of view. Identify your status, either high or low, and recognize when it shifts. Embrace it and fully commit to your new status.
Come join us and see why actors have called this methodology “freeing,” “exhilarating,” “inspiring,” and “artistically refreshing.”
“David Razowsky…will inspire you to consider every breath, movement, eye blink, touch and word in a scene. He will inspire you to become the actor you never thought you were and show you that in the first second of an improv scene, you already have everything you need.”
Isla Suddek